Introduction

When I was a little boy, my parents gave me a poster called "Space Age." I cherished it, studying all the many spaceships pictured on it. The poster came out in 1959. There are some notes on the poster here. Note that the labels next to the spaceships are white letters on a blue background. The only identifying information on it is: Copyright 1959 Educational Posters #117 "Space Age". The poster is signed, but nobody seems to be able to make out the scribble. For many people the poster sticks in their mind.

In the New York Mirror Magazine April 28 1963, the poster art was re-used in an article entitled "U.S. Space Hardware —Today and Tomorrow" by Fred Dickenson. There is a lo-res version of the article artwork here. You will note that in this version the labels next to the spaceships are white letters in a black box.

No, I do not know where to get a copy, I'm trying to find one myself. The poster is difficult to do a web search for, since search terms like "space age" and "educational posters" are so generic.

However, now that have learned much in the decades since I had that poster, I can recognize all the spaceships that "inspired" the artist.


Late breaking news: Art Lortie (buddy.lortie@amazingstoriesmag.com) has managed to identify the artist of the poster.

Mr. Lortie found the poster was issued by Educational Posters Co., a division of Dow (Louis F) Co. There were 24 artists who worked for Dow from 1958 to 1960. The artist who created the Space Age poster was Richard Amundsen.

Bios of Richard Amundsen can be found here and here (Alas, Lucid Cafe is no more. You can read about what happened here).


Even later breaking news: a certain Bruce Hettema contacted me. He is the current owner of a San Francisco art studio named Patterson & Hall. He tells me:

I came across your site doing a Google search, and I thought I’d share some information about the “Space Age Poster” artist.

Your information "Educational Posters Co., a division of Dow (Louis F) Co. There were 24 artists who worked for Dow from 1958 to 1960. The artist who created the Space Age poster was Richard Amundsen.” is partially true. The artist is correct, but he didn’t work for Dow. The artist was part of a San Francisco art studio, Patterson & Hall, who did an entire series of posters for Dow, including your Space Age.

I am the current owner of P&H, and I’ve collected a few of these.

Personnel Rocket


Above we have the Personnel Rocket from the poster. Below we have the Moon rocket designed by Wernher von Braun for the Collier's Man will Conquer Space Soon series. The poster artist put a cowl over the lower two spheres but that's about it. This is one of those quaint designs that use a mercury boiler for solar power, before they started using photovolatic cells or small nuclear reactors.


Three-Stage Personnel Rocket


Another von Braun design for the Collier's series, this is the Ferry rocket. It is basically the Space Shuttle, mark negative-one. The poster version seems to have added wing extensions connecting the top canard wings with the midsection wings.


Relief Ship


The RM-1 rocket below is from Walt Disney's 1955 documentary Man in Space. I guess the poster painter thought the rocket needed to be spiced up so he added wings. The ship's nuclear reactor is mounted on a boom in the front, and a cone-shaped shadow shield protects the crew from radiation. There is also a docking port for a bottle suit underneath. The ship is 53 feet long and carries a crew of four. In the documentary the rocket does an orbital pass around the Moon.


Instrument Carrying Satellite


The Baby Space Station is another von Braun design for the Collier's series. It would allow testing of the space enviroments effects on structures and test animals. The animals would be studied for 60 days until they suffer the fate of Laika. Note the mercury boiler solar power unit at the top.


Three-Stage Rocket


This is the Vanguard rocket. It was scheduled to boost the first ever satellite into orbit, before it got upstaged by the surprise launch of Sputnik 1. Six failures and one successful launch later it sent the Vanguard 2 satellite into orbit (see Weather Eye Satellite below).

The Vanguard had no fins since it was steered by gimbaled engines. I guess the poster artist thought that looked too undramatic and so added fins to the poster version.


Colony Sphere

It's not easy. First build a space ship like this one, then, at the speed of light, it will take 30 generations to reach the nearst star.

     FEW people realize the illimitable size of the cosmos in which they live. Even the nearest stars are separated from us by spaces so immense as to be almost incomprehensible to earthbound minds. Beyond lie black voids so vast that our whole solar system—sun, planets and satellite moons—is but a tiny pinpoint of light in a single galaxy of stars! The distances involved are so enormous that they are computed not in miles but in time. Astronomy’s unit of measurement is the light-year, the distance traveled by light in one year at a speed of 186,000 miles per second. Multiply this speed in a year (670,000,000 mph) by 24 hours and then by 365 days and you have the basic unit. It is a cute, little pocket ruler 5,880,000,000,000 miles in length!

     There are eight stars within ten such light years of our sun. Of these stellar neighbors, Alpha Centauri and Proxima Centauri are the nearest. Faint pinpoints of light visible only by telescope, they are a modest 4.3 light-years away.

     Starting with a space ship of present day rocket performance, a top speed of around 6.2 miles per second, Dr. L. R. Shepherd, Technical Director of the British Interplanetary Society, calculates that at that velocity it would take about 130,000 years to reach one of these stars. Alongside of this, a trip to the moon would be a mere ferryboat ride! This trip would entail the birth and death of some 30 generations en route (ummm, a generation is usually 25 years, so it is more like 5,200 generations, not 30).

     To contain such a colony, its animals, plant life, etc., the space vehicle would have to be a modern Noah’s ark. The problems involved in maintaining artificial atmosphere and armoring the hull against cosmic dust particles make a spherical form almost obligatory. It would have to be enormous with a minimum diameter of ten miles. It would have to revolve around its directional axis to provide artificial gravity through centrifugal force, yet have fixed polar areas for astronomical observation, navigation, etc. It would have to take off from the moon where the gravitational pull is only one-sixth that of earth.

     In the sphere, life would be conducted as nearly as possible as it is on earth. The whirling globe would contain towns and countryside, soil for crops, trees, lakes, roads and houses. There should be a sky above, an artificial reproduction of our atmosphere with a sun, moon, stars, day and night and even the change of seasons. In short, our space vehicle must be a small, self-contained world with all the features of our natural one. The only major difference would be that our colonists must inhabit the inside of their man-made planet instead of its exterior!

     The design and construction of this monster globe is no short term proposition. It is a job for several generations——perhaps centuries!

     The globe itself would be double-walled, with an armored outer skin and an inner pressure hull to hold the atmosphere. The space between would contain a tremendous area of hydroponic gardens, lit by artificial sun lamps and fed by chemical fertilizers for the manufacture of oxygen by natural plant processes. The outer skin would be pierced by rows of observation ports, radar domes and belts of solar heat plants.

     Science-fiction? Maybe so, but it’s your vehicle if that’s Where you want to go.

  1. Outer skin armored against space dust
  2. Inner skin with interior earth crust
  3. Interskin chambers containing hydroponic gardens, power plants, etc.
  4. Hydrogen-fusion artificial sun
  5. Sun-supporting access spindle
  6. Artificial-atmosphere with clouds, weather, etc.
  7. Solar heat-gathering mirrors for power
  8. Control compartment with astral observatory above
  9. Radomes
  10. Cup-shaped base with inflatable rim and retracting legs for take-off and landing on spherical surfaces (landing a sphere ten miles wide? I don't think so.)
  11. Booster unit detaches after take-off
  12. Fuel cells
  13. Rocket battery
  14. Launching pit

     Ship would have to be built and launched from moon where gravity is less (so why not build it in orbit where gravity is zero?). Launching site would be moon's crater eight miles wide, rimmed with roller bearings so sphere could revolve. Surface of crater would be lined with inflatable material like huge low-pressure tire to adjust for inequalities of ground and to provide cushion for take-off and landing——if you come back! (in 260,000 years...)

     Sphere would start rotating by belt of jet engines. When interior gravity is built up by centrifugal force, crust of soil would be distributed on inner surface, landscapes created and houses constructed. Colonists would start living in their man-made world. Booster stalk would give it initial velocity. then rockets would take over. Ship would land on extensible tripod legs.

From HOW TO GET 25,000,000,000,000 MILES AWAY FROM IT ALL
by Frank Tinsley, MECHANIX ILLUSTRATED (Feb 1953)

Third Stage Unit


The CR-1 rocket below is from Walt Disney's 1955 documentary Man in Space. It is the third stage of a three-step rocket, carrying cargo into low orbit. Note that both the poster and the Disney image has "shock diamonds" in the exhausts (the series of white puffs).


Flying Saucer


The Flying Saucers are Real by Donald Keyhoe (1950) was a hugely popular book in its time. Artwork by Frank Tinsley.


Space Station


X-15


Research Ship


Space Reconnaissance Ship


The "Space Scout" is a vehicle designed by G. Harry Stine in the early 1950's and appears in a book entitled The Answer to the Space Flight Challenge by Frank Tinsley (1958). It is meant to defend the United States against hostile space stations, which means nuking them with atomic missiles. You can find more details about it here. Note that the wings are supposed to make a "W" shape and have the control surfaces on the leading edge, not the trailing edge. The pods that the landing feet stick out of are also jet engines, and are suppose to have exhausts at the top of the wings, not closed off like the poster.


Space Recon Three Stage


This is the three stage booster rocket that lofts Stine's space scout into orbit. More details here.


Exploration Ship


This is a photon-drive rocket designed by Frank Tinsley. It appears in an article entitled "Light-Propelled Space Ship" by Frank Tinsley in the February 1954 issue of Mechanix illustrated. You can find more details here.


Weather Eye Satellite


This is the Vanguard 2 satellite, which is launched into orbit by the Vanguard Rocket, on the poster as Three Stage Rocket. The Vanguard 1 satellite just sent tracking data, the Vanguard 2 had two optical scanners designed to measure cloud cover between the equator and 45° N latitude (hence "Weather Eye"). Unfortunately the scanners were not pointed in optimal directions so the data was disappointing. Vanguard 2 is still up there, it is not due to re-enter the atmosphere for another 300 years.


Space Suit


Passenger Unit


The XR-1 rocket below is from Walt Disney's 1955 documentary Man in Space. It is the third stage of a three-step rocket, carrying passengers into low orbit.


Observatory Satellite


The Convair Observational Satellite was a space station designed by Krafft Ehricke, which was to be constructed from spent fuel tanks and other components cannibalized from used rockets. A nuclear reactor was located in the center, while the six-man crew was located far far away from the deadly radiation in the crew quarters on either end. The station was about 400 feet long, had an orbital height of 600 miles from the surface, and was intended to be used as a spy-in-the-sky platform to keep an watchful eye on those sneaky Soviets. Mr. Ehricke was trying to demonstrate the wide variety of stations and whatnot one could create out of spent fuel tanks.

In the poster the center section has been replaced by a simple sphere, presumably because the poster artist was not being paid enough to paint the actual complicated tangle of tanks in the center.


Exploration Ship 2


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